I want my movies to be audience experiences. As much as I like Michael Haneke, I'm not going to make a Haneke film. That's just not in my DNA.
Jason Reitman
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De Niro was a hero of mine. And Sean Penn. But I've realized I can't operate at that level of intensity. That's okay for movies. On TV, when you live with horror day in and day out, you have to protect yourself. -
It's simple: You get a part. You play a part. You play it well. You do your work and you go home. And what is wonderful about movies is that once they're done, they belong to the people. Once you make it, it's what they see. That's where my head is at. -
I don't really make movies because I want to see my face on a billboard or because I want to get good reviews or have a big box office. That doesn't really matter to me at all. -
I'm not sure anybody's ready to see me in a drama. And loving movies so much, I've seen a lot of comics try to make that transition too fast, and it can be detrimental. And I don't think I've had as much success as I need in the comedy genre to open up those opportunities. -
I have a trophy case that contains all the action figures ever made of me. It also has items I've stolen from my movies, like three guns and holsters from 'Serenity'.
More quotes by Jason Reitman
- Can you design a Rorschach test that's going to make everyone feel something every time - and that looks like a Rorschach test? It's easy to show a picture of a kitten or a car accident. The question is, how abstract can you get and still get the audience to feel something when they don't know what's happening to them?
- When characters change on screen, it makes you feel better about yourself. You think, 'Oh I change too, I'm constantly becoming a better person.'
- I really enjoy theater. I just went to see 'Death of a Salesman,' and it knocked me on my ass.
- Can you design a Rorschach test that's going to make everyone feel something every time - and that looks like a Rorschach test? It's easy to show a picture of a kitten or a car accident. The question is, how abstract can you get and still get the audience to feel something when they don't know what's happening to them?
- I'd done table reads for my own screenplays, and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater, where you get to see plays produced by different directors and different casts, but there's really nothing like that for movie scripts.